MARGOT VII invited to the Zouxin Xiangyun fashion show in Paris
During Paris Fashion Week, Chinese fashion house Zouxin Xiangyun presented its Earth's Memory collection, Manifested Silhouettes. This show made a lasting impression with its ability to combine ancient cultural heritage with a bold modernity.
A show between heritage and modernity
Specializing in Xiangyun silk, a rare and precious textile dyed using traditional plant-based techniques, the brand promotes ancestral expertise while incorporating it into a contemporary dialogue. Xiangyun silk is recognized as an element of intangible cultural heritage. Its uniqueness lies in its deep colors, organic reflections, and environmentally friendly manufacturing process. The Paris show highlighted this exceptional material through sculptural silhouettes and creations that evoke the memory of landscapes and traditions. By establishing itself on the international stage, Zouxin Xiangyun affirms a vision where elegance meets ecological awareness and the preservation of an ancient art.

MARGOT VII, a notable presence
Invited to attend this event, the designer of MARGOT VII took part in this highlight of Fashion Week. Her presence underscores the Parisian fashion house's desire to engage with other creative worlds and draw inspiration from elsewhere. Their focus on materials, the pursuit of a strong silhouette, and their artistic sensibility bring together the approaches of the two brands, each anchored in its own identity but open to international influences. The Zouxin Xiangyun show in Paris attracted the interest of several media outlets specializing in fashion and trends, including Resident.com, Fashion Trendsetter, and Creators Faire, which relayed the images and spirit of the "Earth's Memory Manifested Silhouettes" collection. Presented as part of Paris Fashion Week, the event attracted international press curious about the new Chinese creative scene, which blends traditional craftsmanship with a contemporary approach to design. While the presence of major publications such as Vogue and Le Figaro has not been specifically documented, online media coverage demonstrates a growing interest in Zouxin Xiangyun, particularly on platforms highlighting the fusion of culture, sustainability and innovation in fashion.


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